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Author Topic:   For inspiration - how did Ben and Matt sell their screenplay?
LynFitz
Junior Member
posted 04-16-2001 08:52 PM         Edit/Delete Message   Reply w/Quote
I don't know about the rest of you, but I sure could use a little bit of inspiration. I would like to know what Matt and Ben went through on their way to writing and selling "Good Will Hunting." Did they do any interviews in magazines or anything that we can read?

Thanks in advance.
Lyn

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isulte
Member
posted 04-16-2001 08:57 PM         Edit/Delete Message   Reply w/Quote
I wouldn't mind a little bit 'o that nitty gritty info.

The interview with the director of Bounce on the DVD was a tad discouraging.

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coyotesix
Member
posted 04-16-2001 08:59 PM         Edit/Delete Message   Reply w/Quote
they were movie stars?

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isulte
Member
posted 04-16-2001 09:03 PM         Edit/Delete Message   Reply w/Quote
quote:
Originally posted by coyotesix:
they were movie stars?

They were movie stars before they sold GWH?

It's all a fog to me.

It'd be interesting to know anyhoo.

[This message has been edited by isulte (edited 04-16-2001).]

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psichick
Member
posted 04-16-2001 10:49 PM         Edit/Delete Message   Reply w/Quote
maybe kit knows?

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coyotesix
Member
posted 04-16-2001 10:51 PM         Edit/Delete Message   Reply w/Quote
matt damon was being touted as the next big thing.

watch geronimo.

watch that one persian gulf war movie.

ben affleck was already an indy star.

watch chasing amy.

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Prescription
Member
posted 04-16-2001 11:03 PM         Edit/Delete Message   Reply w/Quote
quote:
Originally posted by LynFitz:
I don't know about the rest of you, but I sure could use a little bit of inspiration. I would like to know what Matt and Ben went through on their way to writing and selling "Good Will Hunting." Did they do any interviews in magazines or anything that we can read?

Thanks in advance.
Lyn



Matt started writing Good Will Hunting years ago as a one act play for a university class in Harvard.

During this time he was playing occassional parts in film, like School Ties and Geronimo.

Ben was doing likewise.

When Matt was not gaining the recognition he wanted from his work, he brought the one-act play to Ben's attention and the two of them started to expand it, little by little.

They gave the finished script to their agent, who also had a literary department, and to the agent's surprise, as well as Ben and Matt's, the script became the object of a bidding war between studios.

Within four days, the offer for the script went from fifteen grand, to over six hundred thousand.

But with each meeting they took with studios, Matt and Ben told them that the deal-breaker was them acting in it themselves.

Many studios backed out, others offered more money if Matt/Ben would back out. At one instance they were offered over one million dollars.

They stuck to their guns, and ended up selling the script to Castle Rock for six hundred thousand.

One of the re-writes eliminated a complicated F.B.I. subplot in the script, and made it more of a character story.

But Castle Rock did not greenlight the film, and Matt and Ben weren't finding much acting work, and when they were, their performances weren't getting the attention they deserved, like Matt in Courage Under Fire.

When it became evident that Castle Rock wasn't reading further re-writes and had all but shelved the script, they made Matt/Ben a deal:

Find a studio to buy the script from Castle Rock within thirty days (one that would allow Matt/Ben to act in it), or agree to part from their script and let Castle Rock fill it with 'name' actors.

They agreed and the clock started ticking.

As time was just about up, Ben gave the script to Kevin Smith, who was directing him in Chasing Amy.

Kevin Smith in turn gave it to Harvey Weintein, head of Miramax which was making Chasing Amy.

Harvey loved the script, and bought it from Castle Rock for one million dollars.

But Miramax didn't put the film on the fast track until Matt won the lead role in Coppola's The Rainmaker. Good Will Hunting went on the fast track, and on the really fast track when Robin Williams signed on.

At one point, Mel Gibson was set to direct, but schedule conflicts prevented that.

Gus Van Sant ended up directing it.

And the rest is history.

-P

[This message has been edited by Prescription (edited 04-17-2001).]

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boofdah
Member
posted 04-17-2001 04:04 AM         Edit/Delete Message   Reply w/Quote
Kewl, thanks for the deets Prescription!

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Selkie
Member
posted 04-17-2001 07:10 AM         Edit/Delete Message   Reply w/Quote
Thank God Gus was available, imagine how different the movie would have been if Gus hadn't directed.

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r_callicotte
Member
posted 04-17-2001 07:31 AM         Edit/Delete Message   Reply w/Quote
Thanks Prescription. I'm copying this and spreading it around. So very nice of you to take the time to explain.


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Moviemax
Member
posted 04-17-2001 07:42 AM         Edit/Delete Message   Reply w/Quote
I thought the script was originally sold to Castle Rock - not Columbia.

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Prescription
Member
posted 04-17-2001 06:16 PM         Edit/Delete Message   Reply w/Quote
Shit, my bad.

Castle Rock is indeed correct, not Columbia.

My friends are working fiercely on a Columbia project right now, and being that they both start with 'C', it's a typo.

Everything else is on the mark though.

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kit
Member
posted 04-17-2001 06:28 PM         Edit/Delete Message   Reply w/Quote
you forgot to mention one key person who stuck by this script through it all. a person who made a choice to turn his back on a successful career as an agent to become an independent producer, a person who worked endlessly to get this script in front of people's faces along with matt and ben.


Chris Moore.

never underestimate the force of a tireless producer who believes in your work.

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Selkie
Member
posted 04-17-2001 09:06 PM         Edit/Delete Message   Reply w/Quote
Bump for Chris Moore and a selfless act of good will (no pun intended). I had no idea he had done this. Thanks Kit and thank you Chris because GWH is a story that lives in my heart, I am so glad it was told.

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isulte
Member
posted 04-17-2001 09:13 PM         Edit/Delete Message   Reply w/Quote
Very inspirational, I must say.

Thanks P, and Kit!

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All times are PT (US)

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