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Name: Stacy Ellen
Hometown: St. Louis, MO
Occupation: Costume Designer
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What attracted you to the Entertainment Industry, and what was your first job or big break in the business?
I was always interested in design (costume/fashion), and I felt that film was the most interesting venue for it. The first feature I was on was directed by Frederick Macy (one of the "Hoop Dreams" creators).
What is the biggest challenge you faced trying to break into the industry, and how did you overcome it?
Simply working in the business; I keep on truckin'.
What advice can you give those trying to break into the "industry?"
If you really want to be in this biz, work hard and don't give up.
Please describe your job for those who might not know what a Costume Designer is.
A costume designer creates the wardrobe for the picture, whether it be designed from the ground up or shopped. Every piece of clothing worn on a body is thought out and chosen carefully.
Can you share any tricks of the trade that help you work faster/cheaper/better?
Knowing your resources is the most important thing. Having connections with people in the garment business is always key. Faster and cheaper does not always mean better, so you must find a balance in all three.
Please illustrate the way the performance of your position can help or hurt a movie. Name a movie that you've seen (or worked on) that we could view and understand the difference between a good job and a bad job.
The clothes the actors wear can inspire them, help them with their character development. When an actor puts on a piece of clothing and says "this is right on," that's a great thing.
Are you a writer, and if so, how many screenplays have you written?
I've written one epic. It's got everything, drama, high comedy, a Busby Berkley review number, action, noir and sex symbols.
What's the best lesson you've learned in regards to working in Hollywood?
Always listen to Pat Peach, but never believe it.
What advice would you give to writers on how to craft a script that addresses practical production issues?
I think it's important for writers to realize the design aspects of what they are creating. If a writer creates a piece that is historical or, lets say full of stunts, he/she must realize that it raises the stakes of production in many aspects, including prep time, costs and labor. This can be a wonderful thing if a good script calls for these needs. It is a shame to "skimp" on them if they are necessary to the script.
What advice would you give a director on how to make production easier?
Minimalism.
List your top 5 favorite films
- The Lovers on the Bridge
- Blade Runner
- Cecil B. Demented
- Dr. Strangelove
- The Usual Suspects
**Please feel free to add other comments here
Thanks for the memories!
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