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Name: Frank Fowle
Home Town: Born in St. Louis, MO, lived in NYC, Chicago and now LA.
Character: Bobby
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What attracted you to the Entertainment Industry and what was your first job or big break in the business?
My father was a performer, so I had it in my blood I guess. After rebelling from it for many years through high school, I finally caught the bug myself in college and ended up with a BA in Dramatic Arts from Franklin and Marshall College. My first job out of school was at the Powerhouse Theater in New Cannan, CT as Frank Lubey in "All My Sons" by Arthur Miller.
What is the biggest challenge you faced trying to break into the industry and how did you overcome it?
For me, finding your own way of working and dealing with rejection was the hardest part. Developing strength and technique that you yourself own is the answer.
What advice can you give those trying to break into the "industry?"
Do plays. It cuts your teeth and gives you a sense of self as a performer. Take classes. It allows you to make mistakes and network. Do student/independent films. Do a lot and you get comfortable around cameras while at the same time building a reel.
Please describe your character in "Stolen Summer" and why you were attracted to the role.
Bobby is a fireman and prankster - a fun guy. It's always a joy to play likable people.
Can you share any tricks of the trade that help you work better as an actor?
Let the other actors take care of the energy. You try and provide it yourself and the result is artificial.
Are you also a writer and if so, how many screenplays have you written?
None, but I write everyday to keep my consciousness fresh.
What's the best lesson you've learned in regards to working in Hollywood?
I'm new to the area, but in regards to working in general: show up on time, know your lines and have fun. You can't go wrong.
What advice would you give to writers on how to craft a script that can help actors better understand or relate to their character?
I once did a Christopher Durang play and he included a profile and wardrobe of every character in the back. He posted a disclaimer first: "To the actor, this is how I see it and these ideas are here to stimulate you. By no means should you feel married to these concepts. They are here to help." That is not verbatim, but Durang's general idea. As an actor it made you feel at ease and included. However, all an actor can ask is for the writer to keep the actor's process in mind while writing. In short, all screen/stage writers should take a few acting classes to expand their ability to be visceral. The writers I know did swear by it.
What advice would you give a director on how to make your job as an actor easier on set?
Sometimes directors only talk to the actor when it's time to act. Take time out to keep actors informed as to the progress of the shoot. It keeps the head and the heart involved. From an acting standpoint, be inclusive not exclusive.
List your top five favorite films.
- Five Easy Pieces
- Alien
- Billy Elliot
- Dirty Harry
- Fletch
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